1. |
Grace and Beauty
03:39
|
|||
2. |
Frog Legs
03:21
|
|||
3. |
Quality
03:10
|
|||
4. |
Troubadour
04:46
|
|||
5. |
New Era
02:53
|
|||
6. |
Don't Jazz Me
03:36
|
|||
7. |
Efficiency Rag
03:30
|
|||
8. |
Victory Rag
03:12
|
|||
9. |
Ragtime Oriole
04:05
|
|||
10. |
Sunburst Rag
03:25
|
|||
11. |
Paramount
03:42
|
|||
12. |
Evergreen
03:04
|
|||
13. |
Hilarity
02:45
|
|||
14. |
Peace and Plenty
03:34
|
|||
15. |
Climax Rag
03:12
|
|||
16. |
Great Scott
02:53
|
|||
17. |
On the Pike
03:40
|
|||
18. |
Honeymoon Rag
03:37
|
|||
19. |
The Princess
03:18
|
|||
20. |
Rag Sentimental
04:33
|
|||
21. |
Broadway Rag
03:27
|
|||
22. |
Prosperity
03:57
|
|||
23. |
A Summer Breeze
04:01
|
|||
24. |
Ophelia
03:03
|
|||
25. |
Ragtime Betty
03:50
|
|||
26. |
Dixie Dimples
03:57
|
|||
27. |
Modesty Rag
04:41
|
|||
28. |
The Fascinator
03:47
|
|||
29. |
Kansas City Rag
03:55
|
|||
30. |
Pegasus
02:50
|
Frank French Colorado
How does one categorize a musician immersed in European Classical traditions from the time of Bach to the 20th Century, but also intensely responsive to the music of New Orelans, Cuba, Puerto Rico and Brazil? Here is expressed the contrast of genteel Romanticism and the savage emotive power evoked in a more rugged way of life: artistic sentiment projected onto rough and ready ways and means. ... more
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